The
Greatest Showman (2017)
Rating: 6.5/10
STARRING:
Hugh Jackman, Michelle Williams, Zac Efron, Rebecca Ferguson, Zendaya and Keala
Settle; with Austyn Johnson and Cameron Seely as P.T. Barnum’s Daughters
RATED
PG
If
you like movie musicals, you’ll love The
Greatest Showman.
While
there’s no question that Showman is
corny in that musicals way – the lip-synching is at-times painfully obvious, and
the narrative is nothing to write home about – the soundtrack created by the
Oscar-winning songwriters of last year’s La
La Land (Benji Pasek and Justin Paul) and the hit Broadway musical Dear Evan Hansen is absolutely phenomenal. Add a typically
uplifting rags-to-riches tale, a 100% committed cast, and some spectacular
choreography, and it makes for a sweet, uplifting, toe-tapping package.
The
musical is loosely based on the life of P.T. Barnum (Hugh Jackman, played as a
preteen by Ellis Rubin), who grew up the poor son of a tailor. Smitten early on
with the richer Charity (Michelle Williams, played as a preteen by Skylar Dunn),
Barnum joins the railroad to make something of himself. But even once he’s
married, he’s barely making ends meet, and he decides to make a better, more
fulfilling life for himself, his wife, and their two girls (Austyn Johnson and
Cameron Seely). While his first attempt at a major attraction – a macabre wax
museum – doesn’t catch on, he soon has the idea to build a live performing show
based around people with unusual or bizarre appearances or abilities. Partly
financed by a rich young showbiz heir (Zac Efron), Barnum’s circus is soon a highly
lucrative spectacle, with a whole troupe of performers included a bearded woman (Keala Settle), a dwarf (Sam Humphrey) and a dazzling trapeze artist
(Zendaya). In time, Barnum’s circus is big enough to gain the attention and
talents of a famous European opera singer (Rebecca Ferguson). The money and attention
pour in, but the ambitious Barnum soon begins to lose sight of what gave him
the motivation to try in the first place.
Like
I said, the narrative is nothing amazing. It’s standard stuff – the rise and
fall of celebrity life – and it’s oft-interrupted by songs. In
fact, there are
moments when you wish the actors would not
sing and would actually speak their lines, as it would add weight and seriousness to a few key emotional encounters.
But then again, who's here for "weight" and "seriousness"? And also...what songs! If you
haven’t checked out the soundtrack to The
Greatest Showman, you need to. Pasek and Paul, who won their Oscar back in
February for the very mellow number “City of Stars”, have penned two instant
classics (“The Greatest Show” and “This is Me”), and a handful of additional
showstoppers (“The Other Side”, “Rewrite the Stars”, “Never Enough”, “From Now
On”). If you can’t tell, I’m passionate about this soundtrack. Really, all
eleven tracks are worth listening to on Spotify or wherever you want to check it out. And if the music is
what you come to The Greatest Showman
for, you’ll be the better for it, because the songs leap off the screen,
complemented by bright colors and dazzling choreography.
The songs supersede even the actors—unsurprising
for a musical—but the cast members acquit themselves well. Jackman seems much
more comfortable here than he did singing live in a tough part in 2012’s Les Miserables, and he sounds great on
the soundtrack. Efron, who burst into the spotlight with High School Musical and Hairspray, hasn’t lost a step and sounds great as well. Williams
and Zendaya perform admirably in supportive spouse-type roles, Mission Impossible: Rogue Nation
standout Rebecca Ferguson does not sing but does perhaps the movie’s best and
most convincing lip-synching during a key power ballad, and Broadway star Keala
Settle absolutely slays, her mind-boggling soprano the driving force behind all the group numbers, particularly the Golden Globe-nominated “This Is Me”.
In
Summary
If you like movie musicals, you’ll love The Greatest Showman. I’d say it’s
better than this year’s other live-action musical, The Beauty and the Beast, though it’s stylistically closer to Moulin Rouge or Hairspray. Hugh Jackman, Zac Efron, Zendaya, and the rest of the
cast are great in front of the camera, but it’s the work they’ve done in the
studio with La La Land Oscar-winning
songwriters Benji Pasek and Justin Paul that’s worth writing home about. The
soundtrack is phenomenal. If you like
show-tunes, look it up. There are eleven songs, and more than half of them are
incredible, get-stuck-in-your-head-type numbers. The music is the main (only)
reason to see the movie, as the narrative plot is pretty cliché stuff. Still, this
was overall a fun, feel-good time with some strong performers and incredible music.
The Greatest Showman (2017)
Directed by Michael Gracey
Screenplay by Jenny Bicks and Bill Condon
Story by Jenny Bicks
Rated PG
Length: 1 hour, 45 minutes
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