The Hunger Games: Mockingjay – Part 2
Grade: B-
**Currently in Theaters**
Starring: Jennifer Lawrence, Josh Hutcherson, Liam Hemsworth, Woody Harrelson, Elizabeth Banks, Donald Sutherland and Julianne Moore
Featuring Appearances by: Sam Claflin, Natalie Dormer,
Willow Shields, Mahershala Ali, Phillip Seymour Hoffman, Jena Malone, Jeffrey
Wright, Stanley Tucci and Gwendoline Christie, with Paula Malcolmson as
Katniss’ Mother and Patina Miller as Commander Paylor
PREMISE: The battle for the futuristic nation of Panem comes
to a dark, violent end as poster girl Katniss Everdeen struggles to keep those
she loves out of harm’s way even as she seeks to be the one who fires
the last shot of the war.
Rated PG-13 for violence, scary moments, and some intense
emotional content
When Mockingjay – Part
2 ended, and the screen went black just before the credits began, I glanced
to my right, toward the friend with whom I saw the movie. Looking back at me,
my friend shrugged and went “eh”.
That about sums it up. The
Hunger Games movie series—adapted from the trilogy of dystopian Young Adult
novels by Suzanne Collins—which began a very lucrative theatrical run with such
fanfare and glamour on March 23, 2012 (Yours Truly’s 24th birthday),
ends with a muffled thud in this overly-sedate finale.
While it thankfully isn’t the embarrassingly overblown,
video-game-meets-fan-fiction mess that was last December’s Hobbit trilogy finale, The
Battle of Five Armies, Mockingjay
Part 2 is so slow and uninspiring that, despite the promise of the
characters’ world getting better in their long march to victory, you as the
viewer yearn for the earlier days, when you were still getting to know the
glossy, fantastical universe and then-rising-star Jennifer Lawrence, and still
sitting on the edge of your seat during the electrifying titular arena
conflicts. As was the case in Collins’ book series, with the titular Games went the series’ primary point of
interest and excitement, and those ended with 2013’s outstanding Catching Fire. Part 2 might have more legitimately exciting moments than last
year’s Mockingjay Part 1 but it’s
still just dutifully putting together the last bits of the puzzle. Part 2, the third film in a row directed
by Francis Lawrence after the Gary Ross-helmed original, isn’t a bad movie—it
just largely seems like the director, screenwriters, and actors are going
through the motions to finish things up, a sensation that’s way too familiar in
this day and age of dragged-out cash grab franchises.
I daresay even the last Twilight
film was more invigorating and ended its series on a note that made its audience
more wistful.
Plot
**Viewing of Mockingjay
- Part 1, if not all the other films, is strongly advised, as Part 2 picks
things up right where the last film left off**
Still recovering physically and emotionally from a most
unexpected assault by former fiancée and recently-rescued-POW Peeta (Josh
Hutcherson), Katniss Everdeen (Jennifer Lawrence), the face of the 13
districts’ rebellion against the oppressive Capitol, is in agreement with the
heads of District 13 that the Capitol needs to be stopped and tyrannical
dictator President Snow (Donald Sutherland) needs to be eliminated. The heads
of 13, President Alma Coin (Julianne Moore) and right-hand lackey Plutarch
Heavensbee (Phillip Seymour Hoffman, in a role he was sadly unable to finish
before his death), are only too happy to let their star join the rebels’ armies
in assaulting the Capitol, provided a team of well-known rebels goes with her,
along with a camera crew that can capture images of their heroes that will further inspire the rebelling citizens of Panem. So, after saying her goodbyes to her
sister, Prim (Willow Shields), and friends Haymitch (Woody Harrelson) and
Johanna (Jena Malone), Katniss heads to the ruins of the outer rim of the
Capitol city. With her are head military honcho Boggs (Mahershala Ali), her weapon-savvy
friend and potential love interest Gale (Liam Hemsworth), athletic Hunger Games
winner Finnick (Sam Claflin), a pack of well-trained grunts, and a camera crew
led by film director Cressida (Natalie Dormer).
While the rebels are now winning the war and breaking
through the Capitol’s defenses—sending the pampered citizens fleeing in
terror—President Snow isn’t going down without a fight. So, in addition to
squads of trained, uniformed Peacekeepers, he fills the ruins of his city with
lethal booby traps, including sensor-triggered bombs, mines, flamethrowers, and
even wild beasts, meant to ambush and destroy the rebel troops hurrying to the
center of the city to converge on the President’s mansion. For two-time Hunger
Games veteran Katniss, it’s like a new round in the arena. And the stakes are
raised when her squad is joined by Peeta, who’s a well-known face and is there for
the cameras, but is obviously still not in his right mind. He might be a danger
to all of them. The war is rigorous and costly, but the rebels approach
victory. Even so, Katniss begins to sense that the new regime is too eager to
take power, and that its reign may not be that much better than Snow’s.
What Works?
When Director Francis Lawrence (no relation to the lead
actress) came onto the scene to direct Catching
Fire, his arrival was an undeniable gust of fresh air, eliminating the
first movie’s distracting shaky cam approach and giving us glossier, more epic
action and consistently striking visuals. He’s at the helm again for Part 2, and, again, he does his best to
entertain those who haven’t read the books as well as satisfy those who have.
Like Mockingjay – Part 1, Part 2 is a faithful-enough adaptation
of Suzanne Collins’ work that, if this film isn’t as good as the second film in
the series—or even the first—it’s the author’s fault, because Lawrence and his
cast and crew are clearly committed to bringing the words on the page to life.
As was the case with the previous film, most of Mockingjay – Part 2 is competent—it works—but, for an action-packed finale, Part 2 is surprisingly underwhelming.
That said, the director does engineer some large-scale action sequences that
are grittier and more intense than anything in the earlier installments, and
does his best to bring a real sense of art to the proceedings as well, with a
camera that finds ways to capture quiet, lovely images. There’s a really
spectacular chase scene that lasts about ten scintillating minutes that’s by
far the best thing the movie has to offer, in addition to a quiet series of
closing scenes of the main characters getting on with life that have a simple,
lovely poetry to them. And to the filmmaker’s credit, by the end, there’s little
attempt to cling to a glamorous, Hollywood-ized style that might please
audiences more.
Even though the finale was split into two parts—as is in
vogue with lucrative franchises these days—Part
2 still doesn’t have quite enough for its many significant cast members to
do. A few who were major players in previous films (like Jeffrey Wright, Jena
Malone, Stanley Tucci and Elizabeth Banks) are inserted wherever they can be
but are largely afterthoughts. They still manage to be effective, though,
especially in the case of Malone's chatty, cynical Johanna. But the MVP of the series
remains Josh Hutcherson, who, once again, manages to bring legitimate feeling
to his every line, even in this constantly-brooding atmosphere. Donald
Sutherland remains a huge asset in the expanded villain role that was the best
and most obvious change from the books to the movies. And you wouldn’t think
the secret to making a moody actress like Jennifer Lawrence more impressive
would be to get her to play even more low-key, but the overall lack of noise
and hysterics in her performance in Part
2, compared to the previous films, makes her one big emotional blow-up here
all the more searing.
What Doesn’t Work?
I re-watched Mockingjay
– Part 1 the other night for a refresher, and then I watched Part 2 this afternoon, and I can safely
say what I thought before—though dutiful in recounting the developments of the
bestselling book that bears their names, these movies are, frankly, not very
entertaining. Director Lawrence and his cast do what they can, but it’s not
enough. There’s a lot of people standing around in dimly-lit interiors looking
serious and muttering at each other. There’s a lot of the blank Jennifer
Lawrence stare. There are obligatory, chemistry-free scenes between Lawrence
and a disappointingly-bland Liam Hemsworth that are supposed to be fraught with
romantic tension but instead remind you of the worst moments of the Twilight series. There are performances by Julianne Moore, Phillip Seymour
Hoffman, Elizabeth Banks and Woody Harrelson that cover the exact same notes as in previous films, only this time it’s with less interesting material (Moore , in particular,
could almost be reading off a teleprompter).
Part 2’s worst sin,
though, is not going all the way with its material. I understand this series’
box office is predicated on teenage girls and therefore can’t really afford to
drive viewers sobbing from the theater, but this movie barely sniffs the rabbit
hole Collins’ text went down. It’s ironic that I’m complaining about this when
it was the “Mockingjay” book’s turn into pitch-black depressing territory that
scared off a lot of the series’ readers, but Collins, for her other faults, at
least refused to overlook the obvious, real effects of war and loss and
emotional trauma. It made for a heavy read, sure, but it was respectable and
memorable. I do understand it’s difficult to convey a lot of inner turmoil from
a first-person book into a movie, but you have an actress in Lawrence who has
proven, both in this series and other parts, that she is unafraid to play ugly
or unpredictable or hysterical (as evidenced by the fact that her one
aforementioned blow up in this movie is one of the few moments in Part 2 that really delivers). I also
understand this is a PG-13 movie, but given the traumatic events depicted in
this film and its three predecessors—not to mention the things PG-13 movies in
general can get away with these days—the overt restraint in the second half of
the movie is devastating to the film's impact. There may be those who didn’t read the books who
think this movie packs a punch—boy, could it have packed one if it had cut Lawrence
loose as Katniss’ life unravels in the late going, if it hinted at a little
more of the burgeoning madness the book chronicled. Basically, it’s too tame,
and it takes away that much of the effect this underwhelming flick could have
had.
Content
The Hunger Games series
has never been a fantastically family-friendly one, and it still isn’t in Part 2 when there’s more war and less
adventure. There are a couple of big surprises, one just the scary beginning of a chase through dark, confined spaces by creepy, eye-less, tooth-gnashing
zombies that try to kill our heroes (and get a couple of them). There are
scenes of bombings and explosions that obviously kill and maim people, even if
the gore isn’t directly shown. There’s a hint of blood, too, and, overall, just
a dark, heavy-handed vibe.
Bottom Line
When Mockingjay – Part
2 ended, and the screen went black just before the credits began, I glanced
to my right, toward the friend with whom I saw the movie. Looking back at me,
my friend shrugged and went “eh”. That about sums it up.
Part 2 isn’t crap,
but, like Part 1, it fails to capture
the excitement of the earlier films in the series. Yes, a lot of this is author
Suzanne Collins’ fault, since this movie adheres quite closely to her
text—everyone knows the third book was just not
as good as the others. There’s one spectacular chase scene, a couple
surprises non-book-readers won’t see coming, and fans of Jennifer Lawrence and
Josh Hutcherson and Elizabeth Banks won’t be disappointed, as their faves are
back and doing what made them likable in the first place. But, overall, Part 2 isn’t very entertaining. Worse,
it’s overly-restrained, seriously limiting the emotional impact this very affecting
story could have had on the big screen. Its quiet closing scenes are touching, but,
ultimately, this series lands with something of a thud.
The Hunger Games: Mockingjay – Part 2 (2015)
Directed by Francis Lawrence
Screenplay by Peter Craig and Danny Strong
Based on the novel “Mockingjay” by Suzanne Collins
Rated PG-13
Length: 137 minutes
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